![]() That means that, unless you’re using prefabricated named colors, your style sheet fills up with multiple instances of cryptic hex codes or ambiguous HSL numbers. Start with the color declaration: you have to know the exact values of your colors in order to use them. Color mixing unlocks our inner Monet and a whole new world of nuance and artistry.Lightening, darkening, and scaling give us fine-grained flexibility over palettes.Aliases help us better recognize which colors we’re using.Let’s explore some of the capabilities they can lend to our stylesheets: That’s where preprocessors become useful. But although color on the web continues to march forward, CSS alone is still pretty inflexible. Thankfully, new tools give us more power over color than ever before. Meanwhile, manipulating color on the fly has been relegated to the arcane realm of programmers. We’ve neglected the art of mingling color for emotional impact, while making the most of statically declared CSS color codes. Historically, our ability to translate this kind of flexibility to the web has been limited. Scottish National Gallery public domain image. ![]() Claude Monet, Haystacks: Snow Effect (1891). The same haystacks, the same base colors-yet presented in myriad ways. When he was finished, Monet had painted twenty-five canvases of the same haystacks in different sunlight, seasons, and weather. Sometimes he would work on a painting for just a few minutes before the lighting conditions had changed enough to warrant moving on to the next canvas. He would have his assistant cart out wheelbarrows of canvases and would work quickly and minimally on each one as the light changed throughout the morning. But he didn’t paint just one painting, and he didn’t even paint just one painting at a time. One morning in 1890, Claude Monet began painting the haystacks outside his window. Brief books for people who make websites.
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